Terministic screens
A practical lens for applying this stage of the Social Media Graffiti process.
Seeing critically begins by noticing what communication makes visible, what it places in the background, and what it encourages audiences to overlook.
Every message directs attention. Images, headlines, camera angles, page layouts, and repeated words determine which details become prominent and which remain almost invisible. Burke’s idea of terministic screens helps explain how symbolic choices select some features of reality while deflecting others (Burke, 1966).
Critical seeing therefore requires more than looking carefully. It means asking who designed the frame, what assumptions guide the arrangement, and which people or consequences are missing. Visual culture research shows that audiences learn to see through shared conventions, making perception both personal and cultural (Mirzoeff, 2015).
These ideas turn the process into a repeatable method for examining communication more carefully.
A practical lens for applying this stage of the Social Media Graffiti process.
A practical lens for applying this stage of the Social Media Graffiti process.
A practical lens for applying this stage of the Social Media Graffiti process.
A practical lens for applying this stage of the Social Media Graffiti process.
The complete process moves from noticing what is present, to decoding strategy, understanding perspective, evaluating evidence, and creating more humane communication.